Showing posts with label shrine. Show all posts
Showing posts with label shrine. Show all posts
Saturday, February 18, 2012
Nichos
According to Wikipedia "A nicho is an object of Latin American folk art. Nichos are made from mixed media and traditionally combine elements from Roman Catholicism, mestizo spirituality, and popular culture." The article goes on to say:
" Nichos are made of objects that can be easily purchased or scavenged in the home or community. The media are characteristically humble for a religious object, especially compared to the typically ornate icons of the Catholic Church. The shadow box itself is easily converted from a cigar box or other mass-produced wooden container, but can also be constructed from any lightweight wood, recycled tin, or glass. The colorful designs on the box and borders are created not only with paint, but also with sequins, glitter, chain, thread or rope, paper mache, and any small bric-a-brac. Other ornaments within nichos include milagro charms, beads, stones, nails, and other manufactured and found objects."
I have long admired this folk art tradition for both its beauty (and often ohteetee kitschiness!) and also the mood of reflection and spirituality that they invoke. I have toyed with the idea of making shrines for quite sometime now and have collected a stack of things I put in a box marked "shriney stuff". Apparently, the time is not quite right for me to make my shrines but I have been playing around with some bits and pieces to create my own version of a nicho. Sort of. It is wearable and there isn't a saint present, but like a traditional nicho, it is made of some fairly common stuff , it is colourful and I have imbued it with a sense of spirituality by using a word that is close to my heart - "seek".
The folk art flower that sits behind the frame has been cut from a tea tin.
The heart is crafted from 2 pieces of reclaimed pewter.
I think it is evocative of a traditional nicho. Certainly that was my inspiration!
Last week I came across this little bag of vintage beads at a second-hand store - there are some lovely (albeit grubby!) jug beads in there and also those gorgeous red beads.
I reckon the red ones might be just right for this necklace. This is an idea that I can see growing and expanding but I must say I was very happy to have made something (at last) that resembled a shrine-like object!
Sunday, May 8, 2011
shrine
The latest work from South Australian artist Audrey Harnett is an amalgamation of "memento mori" and the heartfelt nostalgia of Victorian mourning jewellery and I was lucky enough to have a sneak peek - so of course I had to share it with you! This beautiful shrine is dedicated to the passage of time and the natural states of change and decay that passage renders.
The exterior of the shrine is adorned with vintage sheet music and Audrey's screen and relief print images of birds - the symbol of the supernatural link between the heavens and the earth.
Below is the detail of an image Audrey has etched onto copper and attatched to the shrine.
As intriguing as a cabinet of curiousity the shrine begs to be opened ...
When the contents are revealed we find -
- bones and tin and pieces of driftwood hand-carved into beautiful organic heart shapes arranged in a manner that invites us to contemplate our own mortality and the beauty of life.
I once read somewhere that Joseph Cornell was an alchemist - collecting and arranging found objects to create stories about things we cannot see like memories, ideas and feelings, out of things we can see and are often quite familiar with. I think Audrey is weaving her own magic for us with this visual poem - don't you?
Constructed entirely of found objects gleaned from the beaches and bushland of Kangaroo Island the shrine is also a celebration of love - and loss - as part of the Natural Order.
The exterior of the shrine is adorned with vintage sheet music and Audrey's screen and relief print images of birds - the symbol of the supernatural link between the heavens and the earth.
Below is the detail of an image Audrey has etched onto copper and attatched to the shrine.
As intriguing as a cabinet of curiousity the shrine begs to be opened ...
When the contents are revealed we find -
- bones and tin and pieces of driftwood hand-carved into beautiful organic heart shapes arranged in a manner that invites us to contemplate our own mortality and the beauty of life.
I once read somewhere that Joseph Cornell was an alchemist - collecting and arranging found objects to create stories about things we cannot see like memories, ideas and feelings, out of things we can see and are often quite familiar with. I think Audrey is weaving her own magic for us with this visual poem - don't you?
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